It’s the final week of the Kindred Spirits Quilt-Along!
Wow! It seems like only yesterday when we started with our very first Friendship Reel block back in September!
Initial feedback from the group reveals that having the quilt-along to focus on and a new block to tackle each week has definitely helped to distract from the pandemic and kept minds and hands busy in all the right ways!!
Last week we started to see some completed flimsies! What a delight!
And this week is all about the quilting, binding and finishing our quilts!
At last I can show you the 2 finished Kindred Spirits quilts that I made during our quilt-along!
This is the Coastal version of the Kindred Spirits Quilt, based on the main quilt-along graphic (above).
The fabrics used are all by Makower (see below) and are available in our online shop.
One of our Kindred Spirits, Trudi Wood, is a professional long-arm quilter (& a very good friend!) and she worked her quilting magic on the quilt, using one of her pretty fan pantographs!
Isn’t it spectacular! I love the wonderful texture and superior effects that are achieved from long-arm quilting!
Thank you Trudi for finishing off this quilt so beautifully!
I tested all of the quilt-along blocks by making them first with mostly Tilda scraps. I love how different fabrics can completely change the look of a quilt, even when the design is the same!
I quilted this one on my domestic machine, using an organic wavy line across the width of the quilt.
A video tutorial on how to achieve this quilting design and also a demo on Free Motion Quilting is included in this week’s teaching video.
I’m delighted with both versions of my quilt, and I just know the Kindred Spirits are going to produce equally beautiful quilts! I can’t wait to see them!
We are currently working to reformat the Kindred Spirits Quilt-Along into a stand alone class for general sale. We’ll keep you posted!
The easy sewing of pockets on these panels means you still have time to get them made and filled with sweets and treats in time for 1st December!
And new to our shop this year are these gorgeous Scandi Placemats Panels, great value at only £6.50 each for 8 placemats!
Simply fussy cut the motifs, add some Heat Resistant Wadding, backing and bias binding and you’ll soon have your table looking suitably festive for the big day!
The mats finish at 10″ diameter (26cm) including binding, the perfect size for a dinner plate.
The 8 folksy designs of deer, birds and rustic landscapes are typical of the annual Scandi collections in rich reds and soft greys.
I quilted the mats in concentric circles using my quilting bar positioned 1″ from the needle and using Aurifil 50wt in Dove Grey.
The pretty decorative bias binding adds a folksy finishing touch to the mats.
I’m really pleased with how they turned out.
And if you would like to make your own set of Scandi mats or a gift set for a friend, you can find the panels and co-ordinating Scandi backing fabrics in the Fabric section of our online shop, and the Heat Resistant Wadding and Aurifil thread (Dove) in the Haberdashery section of our online shop.
In keeping with our ‘curves’ theme this term, my monthly ‘5 minute lesson’ in classes this week was all about Improv. (improvisational) curves.
As the name suggests ‘improv.’ means you pretty much go with the flow and make up the curves as you go. No two curves are the same, and there are much fewer rules to abide by than with standard pieced curves. You don’t even have to worry about an even seam allowance (gasp!).
You can imagine how well this technique went down with all my rebellious non-conformists (you know who you are!!).
There are many examples of improv. curves on Pinterest (see my Curves Pinterest Board here). And to give an example of these in class, I made some improv. curved placemats, in the lovely coastal Beachcomber fabrics by Makower.
Here is the tutorial on how to make my Improv. Curved Placemats (makes 4 x 15 1/4″ diameter mats).
You will need:
Between Nine and Twelve 10″ squares (I used Beachcomber by Makower)
50cm of Wadding or Insul Bright Heat Resistant Wadding
50cm of calico
1 metre of Heat Resistant Non-Slip Table Protector (at least 35″ wide)
4.5 metres of 3/4″ wide bias binding
505 Basting Spray
Method:Assume 1/4″ seams
1 Place 2 squares of fabric on the cutting mat, right sides facing up, and overlapping. The wider the overlap, the deeper the curves can be. I usually overlap by 2-3″ (I am using up a smaller piece of fabric here to overlap the 10″ square).
2 Using a rotary cutter, cut a curve up through the overlapped section.
3 Remove the excess pieces (this will be the smaller piece of the right hand fabric and the smaller/underneath piece of the left hand fabric). The remaining pieces should fit neatly together.
4 Sew the 2 pieces right sides together. It is easier to do this by straightening the underneath piece with your right hand and lifting up the top piece with your left hand. Don’t worry if your seam allowance isn’t even the whole way down, just make sure there are no tucks.
5 Press the seam to the darkest fabric.
6 Repeat steps 2-5 for a third piece of fabric, over lapping the left hand edge of the first piece.
7 Spray baste the curved pieces, wadding and calico together (tutorial on spray basting available here).
8 Quilt the mats, starting centrally and working towards the outer edges. I quilted in the ditches and then’echo’ quilted the curved seams 1/2″ apart.
9 Place a round plate or bowl on top and draw around it. Cut along the line and remove the excess. Put to one side.
10 Place the same plate/bowl onto the felted side of the non-slip table protector. Draw around it and cut out.
11 Machine tack the table protector to the wrong side of the mat, making sure the felted side is on the inside. Machine tacking means using a large stitch on your machine, and stitching close to the edges. If you find the rubberised table protector resisting or sticking to your sewing machine, make sure the rubberised side is facing up and engage the dual feed/walking foot on your machine. If you don’t have these, stick some matt scotch tape to the underside of your presser foot keeping clear of the needle opening.
12 Open out the bias binding, and leaving a few inches unsewn at the start, attach the binding around the edge of the mat using a scant 1/4″ seam allowance, stopping a few inches short at the end (remember to use a quilting size stitch length here, not a tacking stitch).
13 Place the end of the bias binding over the start and measure and mark 1/2″ overlap. Trim off the excess.
14 Open out the binding and sew the short ends together using 1/4″ seam allowance.
15 Finger press the seam open and finish sewing down the remaining binding to the mat.
16 Snip all around the edge of the mat at 1cm intervals, taking care not to cut the stitches.
17 Push the binding over to the back of the mat. Pin in the ditch from the front, making sure the binding is caught at the back.
18 Stitch in the ditch from the front side finishing with a reverse stitch.
And you’re finished!
Adorn your table with your beautiful mats and wait for the compliments!
So why not have a go at this organic and fun technique!
I hope you enjoy your venture into improv. curves!
I spent a lovely afternoon sewing today, with my fellow Bee Blessed buddies. The room was a hive of activity as we kicked off the new year getting more quilts ready to gift to those in need of comfort.
A few months back I made a quilt for Popular Patchwork. They sent me a lovely collection of fabrics called Japanese Garden by Makower.
When I first saw the fabrics I was a little unsure what to do with them. There are many motifs and shapes in the fabrics to draw from, flowers, butterflies, dragonflies.
But I have a bit of a thing about curves (!!) and just had to scratch that itch!
As a patchwork and quilting tutor I often come across a fearful response to the mention of curved piecing!
But the bigger the curves, the easier the piecing!
So if you haven’t tried making a drunkard’s path block before, these large scale ones are a great place to start. I use a ‘no pin’ method, which means you get quickly into a repetitive rhythm piecing the curves.
This quilt is currently in the January issue of Popular Patchwork …..
…. and it is also hanging up in my new classroom.
So my new students had better beware! I’m hatching a plan that involves ‘curves’! After all, real women have curves!
The gorgeous weather continues here! Such a treat!
When I make a quilt I always photograph it before I send it off to the magazine. However, doing commission work at least one season ahead means the weather and season at time of photographing doesn’t match the theme of the quilt!
Take for example my Ebb and Flow quilt! This is the photograph I took of it on completion in April. Drab and dreary right?
And ironic too because the fabrics used in this quilt are called ‘Blue Sky’ by Laundry Basket Quilts (background is Linen Texture, both by Makower). Oh how I wish there were blue skies when I photographed this quilt!
I went for simple mitred piecing in columns to give a contemporary twist to these classic prints.
I knew there had to be organic wavy quilting vertically through the columns to enhance the ‘ebb and flow’ movement in the quilt. Aurifil 50wt is my ‘go to’ thread for quilting.
So there you have my blue sky Ebb and Flow summer quilt, fulfilling the Editor’s brief of soft summer blues with an organic design. The pattern is in the July issue of Popular Patchwork, out now.