Some were for my next free tutorial (remember my Scrappy Hexie Basket? Well I’ll be releasing the pattern for this one as a free tutorial very soon).
And some were just an excuse to have fun with teeny pieces of fabric!
These baskets are only 4.5″ and 6″ tall and are ‘improv. pieced’. This means your pieces of fabric aren’t pre-cut to a specific size, rather you just keep adding pieces until you have a section that can be joined to another section.
Improv. piecing for small projects is the perfect way to use up tiny pieces that are too small for English Paper Piecing or regular piecing patterns.
To give you a sense of scale, my smaller basket is holding large spools of 50wt Aurifil thread.
I create my baskets with an inset base with piping. I think the piping gives the basket more definition and shape.
And the structure is provided by the heavy sew-in vilene that the exterior is quilted on to.
I can think of a tonne of uses for these cute baskets, not least filled with goodies and gifted to loved ones!
Tune back soon to hear all about my free Hexie Basket YouTube Tutorial!
(And now there’s a mini tutorial on how to make these improv.pieced versions of my Hexie Baskets here.)
I’ve been hearing the christmas ‘C’ word a lot round here lately!
It seems the madness of the ‘silly season’ starts earlier and earlier (or am I just getting older and more ‘Scrooge-like’?).
Anyway, when it comes to quilting magazines there’s no such thing as too early for Christmas!
This is my Wonky Log Cabin Christmas quilt in the October issue of Quilt Now magazine.
These wonky blocks are so much fun to make. There’s really no accurate measuring, just improv slicing and dicing! So liberating!
Sometimes inspiration for quilt design comes quick and easy, and sometimes it’s more like the slow, patient percolation of a good coffee!
Initially I had pulled some Kona greens and scrappy greens, a little sprinkle of Kona Pomegranate (an all time favourite) and a sharp black and white stripe to contrast.
I liked where this was going, but still nothing came to mind. A few days later, I grabbed some low volume prints and soft Kona greys and I had the balance I needed.
Log cabin blocks are some of my favourites, so I started to play and thought I’d push the boundaries a little. I usually reserve my supply of black and white stripe for binding quilts. This time I let the black and white stripe take more of a starring role, connecting the blocks in each quadrant.
I had so much fun playing, I just kept going, and that’s how this quilt came to be! A very organic design process this time!