My June is always a little crazy, but exams are over, Uni daughter comes home for a visit on Thursday, so all is right with the world!
Did I ever tell you that I love recycling denim (only once or twice right! Wink! Wink!).
Sometimes an idea just comes on me and I have to run with it.
This started out as a little denim ‘play therapy’! I had a clutch of Aurifil 12wt wool threads which I knew would marry the denim perfectly!
And so a little fun applique project turned into a cushion commission for Pretty Patches Magazine.
This was my first time using Aurifil 12wt threads in my machine. I used them for some of the details, but not the main satin stitch applique.
I had used Coats Creative thread before in this way, and really liked the effect. But it’s difficult getting a wide range of shades in Coats Creative thread. Aurifil however have a lovely range of 12wt colours, and with a size 100 needle, it ran through my machine like a dream (I used normal cotton thread in the bobbin).
My favourite bit is the uniquely worn part of the ‘sea’ – can you guess which part of the jeans this came from!!
You could easily substitute the denim for quilting cotton if you don’t have spare jeans lying around!!
So if you fancy dreaming of sailing away on the summer seas, then pick up a copy of Pretty Patches (July) today!
Now that I am embracing Autumn, I can show you one of my favourite makes of this year!
This is ‘Autumn Tree’, an applique wallhanging measuring 27″ x 30″, which I will definitely be displaying in my home.
I adore the warm autumnal purples and pinks in Denyse Schmidt’s Chicopee range, especially on a Kona Bone background. In fact, the leaf shapes are the by-product of the Sizzix Drunkard’s Path Fan die!! I always keep these shapely leftovers, and was so pleased to be able to turn some of them into a seasonal project.
Useful tip: Quilt your background first before appliquing on the shapes. This means you don’t have those head-scratching moments when trying to decide how to quilt around the shapes.
Satin stitch is my favourite applique technique, and I think it suits the clean lines of the leaves and trunk.
The pattern for this wallhanging is in the October issue of Pretty Patches Magazine.
And maybe one day I will make Spring, Summer & Winter/Christmas versions to hang up with each changing season!!
Hello to everyone tuning in for the final stop on the Tilda Circus blog hop.
To say I love Tilda fabrics is a huge understatement! The vintagey feel I get from their collections and the cute and ditsy prints just make my heart flutter! And as for their colours – simply delicious!
I received 5 gorgeous fat quarters from Sew and So from the new Circus collection. How did they know elephants are my favourite animal (and if you read through to the end of this post, you’ll see proof of that!).
So what did I decide to make with this lovely fabric?
I teamed the Tilda fabrics with Essex Yarn Dyed Linen (Flax) to make this quilted table topper. I quilted the background first before appliqueing on the petals and flowers.
But I had a little help!
My trusty Sizzix Big Shot helped me cut out all the petals and flowers. It even cut out the bondaweb too!
I satin stitched the petals and flowers into place (one of my favourite applique techniques!).
And with all the leftovers and a little other Tilda stripe thrown in, I had enough to make the backing and binding.
The finished topper measures 21.5″ x 44.5″ and I love how it looks on my table.
Thank you for tuning into the Tilda Circus Blog Hop!
Oh and just to prove that I am a bona fide elephant lover, check out my awesome mother’s day present from my amazing girls.
Hello everyone! I hope you’ve had a wonderful Saturday!
I’d like to show you the first of 2 of my magazine commissions this month.
The lovely peeps at Popular Patchwork sent me the cutest fat quarter bundle of Flo’s Little Flowers, by Lewis and Irene.
The ditsy prints and soft colours are adorable (if a little tricky to photograph!), and I knew I had to design something floral for these fabrics.
Now daisies are one of my favourite flowers (as Meg Ryan would say ‘they’re so friendly!’ You’ve Got Mail). I sketched a daisy and thought it might work as a stitched outline on some Essex Yarn Dyed Linen (Flax).
But I didn’t want anyone freaking out thinking they had to free motion stitch these, so I purposely top stitched all the petals and blanket stitched the centres.
While this technique may be a little slower than free motion stitching, I think it gives much smoother lines and makes it possible for people who haven’t yet tried free motion stitching.
So that was the first part of my idea working out.
But I needed another flower, this time as an alternating block with the daisies.
A little Pinterest search revealed the seasonal hydrangea, a flower head made up of lots of little flowers! When I saw a close up of the little flowers, I knew I had my 2nd block.
The piecing involved in the Hydrangea blocks is really easy. I like how big they are in contrast to the daisies and how they show off the Lewis and Irene fabrics so well.
I hope you like my Ditsy Daisy quilt, in the May issue of Popular Patchwork (out now!).
It’s been another busy week here in the Hollies’ household – lots more sewing to share with you in the coming weeks.
A wee while ago I was prepping for an English Paper Piecing class and brought in some of my sample projects.
I had diamonds, hexies, kites and coffins to show in a variety of projects, but there was one shape I was missing………. Clamshells (scallops).
Clamshells are a great example of curved EPP. I often get free pre-cut EPP papers with quilting magazines. Which is where I got these clamshells!
The little project book that came with the papers was helpful too! It gave me an idea for a sample.
I decided to make this little bag using some Tilda leftovers teamed with Essex Yarn Dyed Linen (Flax).
Joining curved EPP shapes is a little different from straight edge shapes. Shapes like hexies and diamonds can be sewn right sides together using a whip stitch along the straight edges. Because there are no straight edges on curved shapes, the pieces are appliqued down onto a background instead.
A little note on basting clamshells – snip into the fabric along the curves, approx. 1cm intervals before folding the fabric over the paper. I’m a fan of hand tacking/basting the fabric to the papers, but I know some of you are big into the convenience of the glue basting pen. However, the glue pen doesn’t work so well here because the papers have to be removed before they are appliqued down.
I sourced some vintage wooden handles on Etsy that were just the right size.
So now I have a sweet little Clamshells Handbag to keep all my English Paper Piecing papers and wips in! Great for sewing ‘on the go’!