The 2nd of my gifts being handed out this week is this English Paper Pieced (EPP) Hexie Pillow.
This gift is actually a ‘thank you’ from my daughter to a family who’ve been like a 2nd family to her for many years, and have faithfully supported her missionary training!
The family in question love the North Coast of Ireland, and holiday there every year (with my daughter included!).
They have a particular affection for The Giants Causeway, a geological phenomenon of mostly hexagonal shaped basalt stones, created from volcanic movement 50-60 million years ago.
But despite what Wikipedia and National Heritage say, we all know it was in fact built by the Irish Giant, Finn MacCool! Of course!
So this coastal coloured pillow with it’s columns of ombre hexies is my textile ode to The Giant’s Causeway and our legendary and affectionate giant, Finn MacCool!
This is my first time appliquing EPP hexies in this way. It’s important to draw your placement grid first onto the background (Essex Yarn Dyed Linen in this instance), before bondawebbing the starched hexies in place.
I’m delighted to say the pillow was very well received and the recipients immediately got the inferences to their favourite little corner of the world.
I love making cushions (well they’re just mini quilts really aren’t they!) and trying out new things. I’ll definitely chalk this one up as a success (especially as I would like to have one in my own home!)!
Hello everyone, I hope you’ve been getting some gorgeous summer weather like we have been here!
We’ve enjoyed being day tourists in our homeland, visiting some of our favourite spots!
My middle daughter is only home for a few more days, so it’s been lovely spending quality time with her in our green and pleasant land!
So, on to more quilty things!
In 2014 our Brit Bee Quilting group designed a medallion quilt as our year long project. This meant we would all end up with our own quilt, identical in design and made by the same 12 people, but different in choice of fabrics.
I’m sheepishly delighted to announce, ahem, that I have finally finished my R3 Brit Bee Medallion quilt (only 4 years after the round finished!!).
I chose a soft ‘ditsy’ type palette, pastel pinks, warm neutrals, clear aquas and raspberry reds and my Brit Bee mates (who had to make each round from their own stash) didn’t disappoint!
We started by making our own centre block, I chose a foundation pieced star variation. This was month 1.
Then we posted it to the next person on the list! We then all made & attached the next set of borders on the centre block we had received (in the owner’s chosen colour palette of course) before posting it to the next person on the list. This completed month 2.
And so it went on for a whole year, with the final posting being a completed flimsy back to the original maker!
It was so exciting opening my medallion! We had somehow managed to keep the progress on the quilts a secret until the final reveal!
It was love at first sight!
And then, I’m ashamed to say, I parked it! I knew I had to add a final border and didn’t know what to put on it, so I stalled ……….. for 4 years!!
A recent flurry of Brit Bee activity on our outstanding projects on Instagram got me motivated again to get this medallion finished. I owed it to the 11 other contributors of it.
A month ago I added the final border and got my friend to quilt it on her long arm machine (I didn’t want another 4 year hiatus!).
And today I finally got around to attaching the binding and getting it photographed!
Oh how satisfying to move this long standing UFO (unfinished object) onto the Completed list!!
Now to get Brit Bee R4 quilt finished (it started in 2015!!!! Yikes!).
Almost 2 years ago I launched our first appeal for Syringe Driver Bags for Macmillan Cancer Care in Antrim Hospital.
As the name suggests, the bags carry Syringe Drivers, the vehicle for administering pain or sickness medication. The patient receives the meds via a tube, which means they have to carry the Syringe Drivers around with them all the time. Sometimes they have one syringe driver, sometimes 2.
Providing bright and colourful bags instead of the standard issue grey ones is a small way of bringing a little cheeriness to the patient, especially when they get to choose one they like!
For our first appeal we had a brilliant response from generous sewists across Northern Ireland. So much so, we were able to pass on some bags to other palliative care units.
These bags can’t be reused, and the supply of bags from the first appeal has been exhausted.
Macmillan have asked us for more, so we are launching our 2nd Syringe Driver Bag Appeal!
If you have some sewing machine experience and cotton fabric, would you consider making one or two bags for those receiving palliative care or cancer treatment? You can find the tutorial here.
Previously we have only made for adult males and females, but now we also have a request from The Children’s Hospice, N.I., so we can receive bags in child-friendly fabrics too!
I launched the 2nd appeal on Facebook 10 days ago and we’ve already received 25 bags! THANK YOU!
I’ve always known how generous our sewing community is! Please, please help us to make many more bags! The bags can be posted or delivered to me at home. Email me at email@example.com for my address.
And if you live locally to Belfast, keep your eyes and ears open for an announcement about a free Syringe Driver Bag Workshop at our studio in Conway Mill!
This project was all about accuracy, both in cutting and piecing lots of triangles (with pesky bias edges). Everyone found it a little tricky at one stage or another, learning how to create pointy points, correct fabric placement or bringing the blocks in on size.
But I’m so proud of my ladies for rising to the challenge and pushing through their comfort zones to accomplish a more advanced pattern.
Here are a few finishes and progress shots, but there are quite a few more still in the ‘Work In Progress’ category!
I’m hoping with the summer recess I’ll see a few more Monsoon and Frost finishes by September!
If you would like to make your own version of Monsoon or Frost, the pattern is available here.
Wow! How did that happen! I’m now the proud new owner of 3 adults!
I’ve made all my girls quilts for their 18th birthdays, and I try to reflect something of their personalities in the quilts.
My youngest daughter has a sunny nature, loves colour, texture and random things! So her quilt has lots of colour, random prints and non-geometric design, sunny blues and mustard and the cosiest fleecy backing!
Despite having our warmest days of the year this week, she has very much enjoyed snuggling under her new quilt!
(A big thank you to my friend Hilary for quilting this quilt on her long arm.)
So that’s another family milestone and another milestone quilt!
This is my last week of classes before the summer break. The sun is finally shining and I will have a few more photos to show you from this term’s project focus.
In the meantime, I can show you some stunning bags from our Beach Bag Workshop last Saturday.
It was a warm and clammy day in the studio, perfect weather for thinking about holidays by the beach!
All the ladies beavered away on their bags, and just look at their results!
Such classy and colourful bags! The webbing handles are sewn onto the exterior and base of the bag, making them nice and strong for all your beach or picnic gear.
The bags are lined with Rip Stop Nylon, a water resistant and washable fabric, which is really easy to sew with too!
And you can see a few examples of the additional ‘wet bag’ above, which is included in the pattern. This is also lined with Rip Stop Nyon, the perfect place for wet swimwear or drippy sun lotion bottles!
Well done ladies on your hard work. I hope you get many opportunities to use your bag this summer!
And if you would like to make your own roomy beach bag, you can get the pattern here.
I’m ridiculously excited to tell you all about a new Just Jude Designs venture!
Retreat from the stresses of life for a weekend of relaxation, creativity and great food in the spacious and comfortable Murlough House, surrounded by the beautiful Murlough Bay Nature Reserve!
Let me tell you all about it!
Your weekend retreat experience will include:
Time away to indulge your stitching passion, progress your projects or start something new
Fun meeting and connecting with other like-minded quilting enthusiasts
Support from your friendly, experienced tutor
Two optional project workshops (Sashiko Cushion / Selvedge Projects)
Light-hearted sewing games
Pop-up shop for fabric and haberdashery supplies
Comfortable accommodation in single, twin, shared and en-suite rooms
Ground floor ‘Less Abled’ accommodation available
All meals provided – no cooking means more time to sew! Special dietary requirements catered for.
Beautiful, extensive gardens and grounds within walking distance of stunning golden beach to enjoy some fresh air and stretch your legs
5 large cutting mats, rotary cutters, irons/boards & rulers will be available
Free Tea & Coffee available throughout the day
5pm: Arrive, settle in
7pm – bedtime: Free sewing time / Sewing Games
10am- 1pm: Free Sewing time
1pm – 2pm: Lunch
2pm – 5pm: Free sewing time or Sashiko Cushion Workshop
7pm – bedtime: Free sewing time / Sewing Games
10am – 1pm: Free sewing time or Selvedge Pouch Workshop
1pm – 2pm: Lunch
2pm – 4pm: Free sewing time & pack up
The prices for full board accommodation at our Retreat range from Single En Suite (£160) through to a Shared Room for 5 (£120 pp). (A full list of rooms and prices available on request to firstname.lastname@example.org.)
(only shared rooms remaining at time of writing)
I’ve attended several retreats in the past, and know first hand how relaxing and fun they are! It’s so wonderful getting alongside other sewists, chatting, sharing and getting inspired by the plethora of creative projects being worked on. Not to mention getting away from cooking and other family responsibilities for a few days!
So if you would like to join us for some serious sewing time and lots of craic, or to enquire more about room availability, drop us a line to email@example.com.
(All sample blocks were made using Handmade fabrics by Makower)
Now in my introduction to this series, I described this part as the Mystery section!
That’s because this post is all about Partial Seams!
Just like the other Log Cabin Family members, in these examples fabric is pieced around a central shape.
1 Log Cabin
You may have noticed that the ‘logs’ in the Log Cabin block above are equal length in each round, unlike the Log Cabin Block from Part 1.
This is made possible by starting each round with a partial seam (denoted here with the number 0.5 instead of 1!).
The first ‘log’ being attached is stitched only half way along the seam. It is then pressed out allowing the 2nd ‘log’ to be fully attached. This one is then pressed out before attaching log 3 and the same for log 4. Now you can bring the unsewn section of log 1 right sides together to log 4 and finish sewing the starting (partial) seam.
I love how clever this technique is. Without prior knowledge of partial seams, it would be difficult to work out how to construct this block. Therein lies the mystery!!
2. Rail Fence
In this example, the ‘rail fence’ sections are pieced separately, before being attached to the centre square.
Welcome to part 3 of my series on Log Cabin blocks (part 1 available here; part 2 available here).
So far we’ve looked at the variations within Log Cabin and Courthouse Steps blocks.
This post is all about the Pineapple Block.
Like me, you may be surprised that the Pineapple block is included in the Log Cabin family of blocks.
But there are definite similarities. Fabric strips of equal width are added in rounds from the centre square outwards (just like Log Cabin or Courthouse Steps).
The main difference this time is each round is trimmed ‘on point’ to create a diamond shape, before the next round is added. By alternating the background and main fabrics each round, pineapple shapes start to emerge.
There are several ways to create the Pineapple Block:
1 Foundation Pieced:
For my block (above) I printed and enlarged a paper template and sewed directly onto the paper, only removing the paper on completion of the block.
While this is a time consuming method (especially for a full quilt!) it results in precision piecing and accurate points and edges.
Welcome back to my Log Cabin Blocks series (part 1 available here).
In part 1 we looked at a range of Log Cabin blocks, from Traditional to Wonky!
In part 2, we are going to look at the 2nd category in this family of blocks.
(All sample blocks are made using fabrics from ‘Handmade’ by Makower)
Part 2: Courthouse Steps
Similar to the traditional Log Cabin Block, ‘steps’ are added in rounds to the centre square, this time attaching to two opposite edges first before adding steps to the remaining 2 edges. The ‘steps’ are the same width.
Here is one of my traditional Courthouse Steps Quilts, this time starting with a background square (I’ve marked the block to make it easier for you to identify).
I love how the secondary pattern from the Courthouse Steps blocks dominates in this design!
You can find a traditional Courthouse Steps block tutorial here.
2. Colour Rounds:
As with the Log Cabin Colour Rounds variation, the same fabric is used in each round, but sticking with the same traditional Courthouse Steps construction.
By adding squares (cornerstones) to the ends of the ‘steps’ you will add an Irish Chain secondary pattern to your quilt.
You can change the starting shape of a Courthouse Steps Block to any 4 sided shape (like Log Cabin) but not a triangle.
As I mentioned in my last post, there are lots more great Courthouse steps variations available. Like this ‘sliced’ Courthouse Steps:
In this version, you make two blocks in two fabrics, one positive, one negative.
Slice them in half diagonally, switch them over and sew back together!
Now the point of doing this lies in the secondary patterns you can achieve from Sliced Courthouse Steps.
Aren’t they cool!
A video tutorial of Sliced Courthouse Steps is available here.
You can find more inspiring Courthouse Steps examples on my Pinterest board here.
And I’ll leave you with a picture of a Courthouse Steps block I’m currently working on, using vintage sheets.
I hope you’ll come back soon for part 3 of our Log Cabin Family series.
Last week in classes I taught a short lesson on the Log Cabin Family of blocks!
I’m going to take you through the 3 main categories in a series of posts, with a mystery post to finish the series!
Part 1: Log Cabin
Part 2: Courthouse Steps
Part 3: Pineapple
Part 4: Watch this space!
I demonstrated a few variations within each category, but there are many more than what I can show you here (follow the Pinterest links for lots more inspiration!).
(All the sample blocks have been made using Handmade by Makower)
Part 1: Log Cabin
The standard log cabin block starts with a square centre (traditionally this would have been red) adding ‘logs’ around the centre square (either clockwise or anti-clockwise) in rounds. All the logs are the same width.
The traditional log cabin block was the first block I learned, and made a little quilt for my young daughter using chopped up clothes and linens!
You can find a tutorial on how to make a 12″ traditional block here.
2 Colour Rounds:
This variation of Log Cabin follows exactly the same construction as the traditional version, but keeping the fabric choice of each round the same.
Just a change of fabric placement dramatically changes the look of this block. Here’s another similar example, the back of quilt I made several years ago.
If you enjoy a little ‘improv’ piecing then how about a Wonky Log Cabin!
Again the logs are added in rounds, but this time, the sides are sliced at irregular angles before adding the next log.
While strips are useful to start with here, the width of the finished logs will be varied. No two blocks will be the same!
This can be a really fun block to make if you like a little more ‘freedom’ in your piecing. Just keep adding rounds until your block is a little bigger than you need, then square it off to the required size.
Here’s an example of a Wonky Log Cabin Quilt I made for Quilt Now Magazine several years ago.
To achieve a curved effect in a Log Cabin block, the background logs must be thinner than the coloured logs.
The curved effect becomes more obvious when you put 4 blocks together to create a ‘circle’:
The bigger the difference between the widths of the background and coloured logs, the greater the curve!
There are lots more variations of Log Cabin, like the Quarter Log Cabin (adding logs to the same two adjacent sides each round, rather than to all four sides) ….
(Quarter Log Cabin Cushion tutorial available here.)
….. or how about starting your Log Cabin block with a different shape!!
This is the final item on my table to tell you about and will be a Saturday workshop in June.
These cute and practical zippy pouches are great for summer holidays, or just keeping your bits and bobs organised. The handy see-through vinyl means you know exactly which pouch to reach for, and sewing with vinyl isn’t as tricky as you might think.
At the workshop I will be showing some clever ways to sew with vinyl (vinyl available to purchase in class).
There are a few places still available so why not join us for some vinyl fun!
Welcome to part 3 of my Spring into Summer ’19 series, looking at the items on display in our classroom (part 1 available here; part 2 available here).
Part 3 continues the Lori Holt theme, this time looking at her book ‘Quilty Fun’.
7 Lori Holt’s Quilty Fun Book:
I adore ‘row by row’ quilts and Lori’s quilt design is full of cute and adaptable blocks. Here is my version of her quilt, hanging up in class.
I’ve used lots of scraps in this quilt, but for the bigger pieces I used Lori’s Bee Basics range of fabrics, which co-ordinate with all her other fabric collections.
There’s so much to look at in this quilt, and as always the book includes many more ideas on how to use the motifs in different ways for a whole range of projects.
All bar 1 of the books have now sold in class, which I’ll be listing soon in my shop (watch this space!).
8 Quilty Fun Mugs (Tea Cups) Cushion
One of the additional projects in the book is a Mugs (Tea Cups) Cushion (I omitted the border included in the pattern). Isn’t this fun! The piecing is really easy and I had a ball picking the colours I wanted all my mugs to be!
I went for my favourite zippered cushion back to finish off this 20″ cushion.
9 Quilty Fun Leaf Mat:
This is a smaller version of a table topper project in Quilty Fun. The leaves are the same size as those in the original quilt, and I thought this would make a pretty addition to my kitchen table.
And finally, a Lori Holt inspired cushion, which is on our display shelf:
I made this cushion from Lori’s free ‘Scrappy Cross Roads Block’ tutorial, available here.
Using a small pack of ‘Something Blue’ by Makower, I followed Lori’s tutorial to make the block, and then brought it up to a 20″ cushion size with borders.
I had a lot of fun quilting this one!
The back was pieced with leftovers and my trademark ‘feature zipper’ closure.
And that brings part 3 of my Spring into Summer ’19 series to a close.
Just 3 more quilts and some holiday style pouches to show you in our final post.
Welcome back to my Spring into Summer ’19 series of posts.
In part 1 (available here) we’ve covered items 1, 2, 10 & 12 on our display table.
Today it’s all about one of my favourite quilt and fabric designers, Lori Holt.
3 Farm Girl Vintage Book, by Lori Holt:
This is Lori’s first Farm Girl Vintage book of blocks which is no longer available in the UK (FGV2 is just about to hit the shops!). I have sold quite a few in class already, and any that are left will be listed in our shop next week.
FGV shows you how to make all of the blocks shown on the front cover quilt, in both 6″ and 12″ size options.
The instructions and illustrations are really clear. And at the back of the book there are several larger blocks & lots more patterns & ideas on how to use the blocks to make other projects like cushions and table runners.
4 Farm Girl Vintage inspired Table Runner:
I made a table runner using 5 x 12″ blocks from the FGV book. I chose blocks that followed a food/kitchen theme, and they were such fun to make.
The pears are one of my favourite blocks in the book, and I’m working them into another bee quilt (a UFO Brit Bee quilt).
5 Farm Girl Vintage Chick Cushion:
I first made this cushion for my Easter table display last year. I turned a 12″ Chick block from the book into a quilted cushion. Isn’t he cute!
You may remember seeing my aprons on display last term. I decided to leave my dressed mannequin again this term because we are running our 3rd Apron workshop in August (booking available here). In this workshop you can choose from either a tie back apron (pictured) or the Japanese style cross back apron (see here).
2 Kids Tote Bags:
These simple and fun makes are samples for my upcoming children’s workshop.
I have 4 girls and 2 boys registered to learn how to use a sewing machine and let their textile creativity loose!
Children are a joy to teach because they don’t overthink it and are so creatively uninhibited! We adults could learn alot from them!
This is my big and roomy beach bag (first featured in Pretty Patches magazine). It features water resistant Rip-Stop Nylon lining, mesh or cotton exterior pockets and a detachable ‘wet bag’ for your soggy bikini, or drippy sun lotion bottles!
I’ve made a few of these practical bags over the years, and they’ve even been road tested by my girls on their holiday!
If you’d like to join us at our Beach Bag workshop, you can book in here.
As a self-confessed workaholic I have to really focus on ‘not working’ and allowing my mind some down time (not easy for a self-employed sole trader!).
As part of my ‘word for the year’ – CULTIVATE, I’ve been working on cultivating rest and regeneration, not just physically but creatively and spiritually too.
I’m still learning how to do this well, and am very much a work in progress! One way I’ve been doing this is by reading inspiring authors on personal leadership, like Brene Brown.
In her book ‘Daring Greatly’, Brene talks about the importance of being our vulnerable and authentic selves, not bowing to the ‘never (good, thin, happy, wealthy, successful ….) enough’ culture but instead resting in the knowledge that our best effort is always enough; we are enough. The strive for perfectionism and the glorification of busyness erodes the mental health of individuals, families, societies, nations. I know this to be true because I’ve seen it and I’ve felt it.
So if, like me, you want to learn how to cultivate authenticity, self-compassion, a resilient spirit, gratitude and joy, intuition and trust, meaningful work, creativity (yes!), and play and rest (yes, yes!) then I highly recommend to you Daring Greatly by Brene Brown. Her honesty is refreshing and her professional research in vulnerabililty, shame and wholeheartedness eye opening!
“Dare to be the adults we want our children to be.” Brene Brown
Another opportunity for me to cultivate rest and regeneration comes with good weather, a beautiful location and a camera!
We were blessed over Easter with some cracking weather, which meant I could get out and about a bit with my camera.
Taking pictures enables me to notice details, to stay in the present, to connect my surroundings with those I’m with, to stop and smell the roses (sometimes literally!).
If you’ve never tried it, next time you go out to a beautiful park, garden, beach, woodland walk, bring a camera. You don’t have to be skilled at taking the photos. But I guarantee your mental and emotional health will benefit greatly!
(All the photos I took are available here in my Facebook Albums)
This week saw the end of our current block of classes.
The optional class project was all about Triaxial and Basket Weaving.
I had made 3 class samples to showcase the different types of fabric weaving I would be teaching, but as you will see, a few creative minds didn’t stop there!
Aren’t they stunning! A few little notebook covers didn’t manage the photoshoot, but I’m sure you can guess how wonderful they are!
In the end, we were unable to source Wefty weaving needles here in the UK, and while we managed pretty well instead with large safety pins, the Wefty needles are certainly advantageous when it comes to the more complex triaxial weave. I would definitely recommend these genius little tools!
So a huge well done to my weaving ladies for stepping up to the challenge (especially when it came to triaxial weaving!) and producing beautiful work!
And of course, these weren’t the only projects being worked on! Well done to all my other ladies on your pre-Easter finishes.
I hope you all have a wonderfully creative and choccy-filled Easter break!
(Classes resume w/c 29th April – booking available here.)
And this week I’ve had the best Mothers Day present ever!
All my chicks are back home for a few days, yay!
It’s been so good to hang out together, laugh, be silly, and have precious family time, including the future sons-in-law!
The times when we can all be together at the same time in the same place are becoming fewer, so we make sure we make up for it when we can!
I’m not only blessed with a faithfully loving mum, but I also get the privelege of being a mum, 3 times over!
I was so excited in my first pregnancy to become a mum, but nothing prepared me for how tough the exhausting role of mother would be!
To be honest, I found the earlier years much harder than the teenage ones! I continually lacked confidence, never knew if I was doing the right thing, perpetual exhaustion, extreme loneliness and post natal depression all played their part.
Despite it being the toughest job I’ve ever had (the wages and pension benefits are rubbish!) it’s also been (& still is) the most rewarding. The thing about having kids is they force you to go beyond yourself, to step outside your comfort zones and defaults and face your weaknesses and selfishness.
I’m thankful to my girls for stretching me and making me the person I am today. They inspire me every day and I’m ridiculously proud of the beautiful women they are, inside and out.
To all you mothers out there, you are amazing, keep going. It will be hard at times, but the rewards are deep and infinite. A great mother isn’t perfect (no such woman exists), she’s the one who gets up each morning and invests, sacrifices, referees, feeds, counsels, advises, all for no thanks, and then gets up again the next morning to do it all again!
Well Spring seems to have snuck back into hibernation here, as Winter throws us its last hoorah!
Definitely sewing weather! And there has been lots of that happening at Just Jude Designs.
At the moment I’m making our post Easter class samples and Summer Workshop samples. Plenty to keep me out of trouble!
But I wanted to show you my latest quilt – introducing Monsoon!
‘Monsoon’ is named after the collection of Makower fabrics it is made from (not the current weather conditions). I fell in love with these tropical prints as soon as they were released – just look at those adorable cockatoos!
Now technically Monsoon isn’t a new pattern. A couple of years ago I designed ‘Frost’ for a winter edition of Quilt Now magazine. Can you see the resemblance?
Apart from the fabrics (& one less row in Monsoon) these quilts are made from identical blocks. Don’t you just love how a complete change of fabrics can totally change the look of the same design!
Monsoon/Frost is my first quilt pattern to be made available for both retail and wholesale. Both designs are included in the same pattern. It is also a Sizzix friendly pattern, using die 657622.
So if you own a fabric shop and are stocking Makower’s Monsoon fabrics, get in touch for more details about my wholesale digital pattern agreement.
Or grab a copy of your own pattern here (hard copies available to purchase in class).
Already we are coming to the end of our first block of 2019 classes. This week we will wrap up our Necessary Clutch wallets and New Year projects.
I can’t wait to show you all the finished clutches!
And I’m a little bit excited to show you our (optional) class project for the Feb-April block.
In our next block of classes I will be showing 3 different weaving techniques, 2 of which use the Wefty Weaving Needle.
A Wefty Needle comes in 2 sizes, 1″ and 0.5″ and enables weaving both simple and complex designs with little/no fabric waste.
Once you have a deliciously woven panel you can turn it into a pretty basket, a tactile cushion, a useful notebook cover, anything you like!
I’ll have notes available on how to make my 3 examples, but you don’t have to stick to these projects. Just check out my Weaving Pinterest Board for lots more mind blowing inspiration!
Linen Basket Weave Cushion
This is a beginner friendly project, keeping the strips wider and easy to weave into a traditional basket weave pattern.
We don’t use the Wefty Needle on this project, a large safety pin will suffice, though there will be a little fabric waste at the end of each woven strip.
And if you haven’t already them sussed, how about trying some buttonholes and self covered buttons as your cushion closure?
Houndstooth Journal Cover
These 0.5″ strips are woven with the Wefty Needle into a houndstooth pattern.
Again we are using a traditional basket weave here, but clever placement of strips produces the secondary pattern.
I turned my woven panel into a journal cover (my notebook cover pattern is available here), but you could easily use this as a decorative panel in a bag or add some borders for a textured placemat or cushion.
Triaxial Woven Basket
Triaxial means 3 angles. Unlike a basket weave (with only vertically and horizontally woven strips) triaxial weaving involves strips woven at vertical and 2 thirty degree angles.
For my cute basket I’ve used the 1″ Wefty Needle. Triaxial weaving is more complex than basket weaving designs, but once you get your head around it, there are many more amazing designs which can be produced from the 3 angles.
So if you fancy a spot of weaving over the next 7 weeks, or just want to carve out some therapeutic sewing time to work on other projects, why not come join the fun and book into one of our 6 weekly classes.
Hi there, the ‘5 minute demo’ in my classes for this month was all about Portholes!
I first learned how to do this nifty technique from Lu Summers at the 2012 Fat Quarterly Retreat.
It was so much fun, and one of those techniques that is deceptively easy!
You can pretty much porthole any shape, and show off some patchwork, feature fabric or pretty vintage embroidery. But my advice is not to get too intricate with the shape otherwise the outline may not keep its definition.
5.5″ diameter bowl or plate to draw around (alternatively use template plastic and compass)
9″ diameter bowl or plate to draw around
13″ diameter bowl or plate to draw around
Calico: Same 3 cuts as Fabrics 2-4 above
Use 1/4″ seam allowance
1 Press the 12.5″ calico square in half both ways to find the centre.
2 Centre the 5.5″ diameter bowl (or template plastic) onto the calico and draw round the circle.
3 Place the calico onto the RIGHT side of Fabric 2, with the circle facing up. Pin the layers together and stitch on the circle.
4 Carefully cut away the fabric in the middle of the circle leaving an 1/8″ seam allowance.
5 Push the calico through the hole and round to the back. Press well so there is no calico showing from the front side.
6 Position and centre Fabric 1 (feature fabric) behind the calico, before pinning and sewing around the hole, 1/8″ from the edge.
7 Peel back the top fabric from the calico and feature fabric laying behind. Carefully trim away all the excess calico and feature fabric leaving 1/8″ seam allowance. Do not cut through Fabric 2! Put to one side.
8 Repeat steps 1-5 for the 16.5″ piece of calico and 9″ diameter bowl/plate.
9 Pin the first porthole (with feature fabric) behind this porthole. Sew around the 2nd porthole 1/8″ from the edge, as before.
10 Peel back the top fabric from the calico and feature fabric laying behind. Carefully trim away all the excess calico and feature fabric leaving 1/8″ seam allowance. Do not cut through Fabric 3! Put to one side.
11 Repeat steps 8-10 for Fabric 4 and 13″ diameter bowl/plate.
Tip: If you want to turn your piece into a cushion, I recommend not trimming away the last layer of calico and excess feature fabric. This will add more stability to the outer edges.
Now you have your triple porthole piece, you can turn it into a pretty cushion!
I spray basted wadding and calico behind the cushion front, hand ‘echo’ quilted the portholes, before adding some mini pompoms and an envelope back!
I hope you enjoyed my tutorial and have lots of fun giving portholes a go!
Ayumi’s brilliant tutorial is for the largest tray you see here. They are so easy to make and resize to suit your own requirements (keep the width the same, and simply shorten the length: L:13″, M:10.5″, Sml:7.5″).
The changes I made to the pattern were to use Flex Foam Bosal instead of wadding, to give more structure, and to sew a few stitches at the corners to help them retain their shape.
I’m sure like me you can think of a multitude of uses for these handy organisers (desk tidies perhaps?).
And keeping with the organising theme, how cute are these!
These are literally made from scraps – Tilda and leather scraps from other projects, and offcuts of Flex Foam Bosal.
The bosal was a little tricky to work with when it came to the smallest basket! But I think this will be the case with any interfacing stiff enough to give these little pots the structure they need. Just cut your interfacing smaller to try and keep whatever interfacing you use, out of the seams.
What an amazing year it has been, both inside the classroom and outside it!
One of my professional highlights in 2018 was attending Patchwork in the Peaks Quilters Retreat, Morzine, France, as guest tutor.
And on a personal level, hosting a memory quilt party for my special friend’s 50th birthday in February was a wonderful day!
Helping 2 charities, Shared Threads and Flourish, launch their new sewing initiatives, both aimed at improving the lives of women, locally and internationally was (and continues to be) a pleasure and a privilege.
Among the many highs and lows that come in a year, I’m reminded of my ‘word for the year’ back in January ’18 – RHYTHM.
I set a word at the start of each year to give me a focus to my professional and life goals.
After a massive year of change in 2017, I feel I definitely achieved some rhythm, allowing life to settle some, and to get into my stride with the new classroom and home.
Of course there were still changes in 2018, some happy, some sad, some expected, some unexecpted; the normalcy of life demands it.
But amidst it all, I have much to be thankful for and am content to leave 2018 with a smile, and embrace the exciting new chapter that is 2019.
Come back soon to find out all about my word for 2019!
What a wonderful term (& year!) it was! And I think, one of our most productive!
Here’s a little snapshot of some of the amazing makes my ladies have been beavering away at!
There are many more amazing projects and gifts that will be bringing smiles to lots of faces this Christmas.
Let’s just say there will some truly blessed recipients out there! My ladies are some of the most talented and generous people I know, and they have continued to inspire me all year!
For me, I plan to continue working on patterns, plans and projects for next year. But I will be taking a break over Christmas, to spend time with 2 of my girls, a little EPP, some reading and much needed rest!
Whatever you are planning over the next few weeks, I pray you will be happy and healthy!
Tweed is a favourite textile among many sewers, and mixed with pretty cottons and satin stitch applique, you have one gorgeous cushion!
(The pattern for Harriet Hare Cushion will be released after the workshop.)
At our Apron workshop in March there will be 2 styles to choose from – the Japanese style ‘Cross-over’ apron and my ‘Apron in Jar’, a practical and stylish apron which folds into a decorated mason jar for gifting.
The pattern for the Apron in a Jar includes a child’s size template and will be released after the workshop.
We wrap up our first term of ‘Sewing Saturdays’ with some folksy tea cosies.
Bring your teapot along to this workshop, and we will have fun appliqueing a ‘made to measure’ cosy for your pot.
I will be posting more information about each workshop nearer the time.
Places are limited, so book early (waiting lists available if fully booked). Just drop me an email at firstname.lastname@example.org
I’m so privileged to be surrounded by inspiring women! My mum, my Grandmothers, my brilliant besties, not to mention my 3 amazing daughters who I’m ridiculously proud of!
And then there are all the lovely ladies who come to my classes. I’m honoured to know some of their stories, struggles and triumphs!
Several weeks ago I had the most wonderful encounter with a lady I have long admired.
This is Rachel McBride, visual artist. I first met Rachel several years ago at the Kings Hall, and immediately fell in love with her art.
Fast forward to November 2018, and I’m visiting Rachel’s newest exhibition in Newtownards entitled ‘At a Loss for Words’.
Oh my! Once again she took my breath away. Rachel has an unbridled (and in my opinion unrivaled) talent for expressing depth of emotion through colour and texture.
5 years ago Rachel lost her speech for a short period of time and wrote these words:
“If someone cannot communicate and interact with others are they just ‘a being’ and at what point do they become invisible or unknown to society? A frightening and disturbing thought which ultimately forced me to consider my world without the ability to speak.”
Rachel was born with Cerebral Palsy and has had to overcome many hurdles in her life.
Every time I speak with her I’m overwhelmed by her positivity, strength and beauty.
Her pet hate is being seen as an inspiration, but it’s always the first adjective that comes to my mind when I read the extracts about each of her pieces, admiring the incredible vulnerability and vigor within each piece and knowing the limitations of her body which she fights against to live a fulfilling and boundless life.
I can whole-heartedly recommend you to Rachel’s (free) exhibition, which continues at Ards Arts Centre, Newtownards until the end of this month. And you can sometimes bump into her in the gorgeous coffee shop she owns with her husband called Haptik (the food is ‘out of this world’ awesome!).
And you can read a great write-up about her in the Irish Times here.
What amazingly creative talent we have here on our wee island!
It’s all about the festive makes at the moment at Just Jude Designs!
So I thought I’d bring you a fun and easy little Christmas tutorial to get you in the festive spirit!
For 1 Tree You will need:
2 x (5″ wide x 6″ tall) pieces of background fabric
2 x (5″ wide x 6″ tall) pieces of heavy weight sew-in vilene
2 x (4.5″ wide x 5.5″ tall) thin card
Green, red and gold/yellow threads
Thread to match background fabric
1″ x 2″ wide ribbon (trunk)
4″ length of narrow ribbon
Hand sewing needle
Non-permanent fabric marker
1 Cut the card into an isosceles triangle – draw a line from each bottom corner to the middle of the top edge. Cut away the sides.
2 Place the vilene behind the background fabric (I use a little basting spray here). On the vilene, I centred and drew around the card triangle as a guideline for stitching.
3 From the right side, draw 1″ lines across the background fabric using a non-permanent fabric pen.
4 Select a decorative stitch on your machine and sew along one of the lines.
5 Continue sewing decorative stitches along all the lines (for the lines near the top of the tree you only need to sew 0.5″ wider than the triangle marking).
6 Now sew decorative stitches in lines between the ones already sewn. Repeat steps 2-6 for the other background piece.
7 Cut out a generous 1/4″ wider than the triangle.
8 Pin the triangle card to the wrong side of one of the pieces. Using the English Paper Piecing (EPP) method, wrap the edges around the card and hand tack in place.
9 From the right side, machine stitch around the edges 1/8″ from the edge. At the bottom edge of the tree, catch the folded ‘trunk’ ribbon as you sew past. Remove the tacking stitches & leave in the card.
10 Hand tack a ribbon loop to the top of the tree (inside edge).
11 EPP & top stitch the remaining card triangle to the other stitched piece in the same way as before. Remove the tacking stitches & leave in the card.
12 Bring the 2 trees wrong sides together and whip stitch (by hand) the 2 trees together.