Already we are coming to the end of our first block of 2019 classes. This week we will wrap up our Necessary Clutch wallets and New Year projects.
I can’t wait to show you all the finished clutches!
And I’m a little bit excited to show you our (optional) class project for the Feb-April block.
In our next block of classes I will be showing 3 different weaving techniques, 2 of which use the Wefty Weaving Needle.
A Wefty Needle comes in 2 sizes, 1″ and 0.5″ and enables weaving both simple and complex designs with little/no fabric waste.
Once you have a deliciously woven panel you can turn it into a pretty basket, a tactile cushion, a useful notebook cover, anything you like!
I’ll have notes available on how to make my 3 examples, but you don’t have to stick to these projects. Just check out my Weaving Pinterest Board for lots more mind blowing inspiration!
Linen Basket Weave Cushion
This is a beginner friendly project, keeping the strips wider and easy to weave into a traditional basket weave pattern.
We don’t use the Wefty Needle on this project, a large safety pin will suffice, though there will be a little fabric waste at the end of each woven strip.
And if you haven’t already them sussed, how about trying some buttonholes and self covered buttons as your cushion closure?
Houndstooth Journal Cover
These 0.5″ strips are woven with the Wefty Needle into a houndstooth pattern.
Again we are using a traditional basket weave here, but clever placement of strips produces the secondary pattern.
I turned my woven panel into a journal cover (my notebook cover pattern is available here), but you could easily use this as a decorative panel in a bag or add some borders for a textured placemat or cushion.
Triaxial Woven Basket
Triaxial means 3 angles. Unlike a basket weave (with only vertically and horizontally woven strips) triaxial weaving involves strips woven at vertical and 2 thirty degree angles.
For my cute basket I’ve used the 1″ Wefty Needle. Triaxial weaving is more complex than basket weaving designs, but once you get your head around it, there are many more amazing designs which can be produced from the 3 angles.
So if you fancy a spot of weaving over the next 7 weeks, or just want to carve out some therapeutic sewing time to work on other projects, why not come join the fun and book into one of our 6 weekly classes.
Hi there, the ‘5 minute demo’ in my classes for this month was all about Portholes!
I first learned how to do this nifty technique from Lu Summers at the 2012 Fat Quarterly Retreat.
It was so much fun, and one of those techniques that is deceptively easy!
You can pretty much porthole any shape, and show off some patchwork, feature fabric or pretty vintage embroidery. But my advice is not to get too intricate with the shape otherwise the outline may not keep its definition.
5.5″ diameter bowl or plate to draw around (alternatively use template plastic and compass)
9″ diameter bowl or plate to draw around
13″ diameter bowl or plate to draw around
Calico: Same 3 cuts as Fabrics 2-4 above
Use 1/4″ seam allowance
1 Press the 12.5″ calico square in half both ways to find the centre.
2 Centre the 5.5″ diameter bowl (or template plastic) onto the calico and draw round the circle.
3 Place the calico onto the RIGHT side of Fabric 2, with the circle facing up. Pin the layers together and stitch on the circle.
4 Carefully cut away the fabric in the middle of the circle leaving an 1/8″ seam allowance.
5 Push the calico through the hole and round to the back. Press well so there is no calico showing from the front side.
6 Position and centre Fabric 1 (feature fabric) behind the calico, before pinning and sewing around the hole, 1/8″ from the edge.
7 Peel back the top fabric from the calico and feature fabric laying behind. Carefully trim away all the excess calico and feature fabric leaving 1/8″ seam allowance. Do not cut through Fabric 2! Put to one side.
8 Repeat steps 1-5 for the 16.5″ piece of calico and 9″ diameter bowl/plate.
9 Pin the first porthole (with feature fabric) behind this porthole. Sew around the 2nd porthole 1/8″ from the edge, as before.
10 Peel back the top fabric from the calico and feature fabric laying behind. Carefully trim away all the excess calico and feature fabric leaving 1/8″ seam allowance. Do not cut through Fabric 3! Put to one side.
11 Repeat steps 8-10 for Fabric 4 and 13″ diameter bowl/plate.
Tip: If you want to turn your piece into a cushion, I recommend not trimming away the last layer of calico and excess feature fabric. This will add more stability to the outer edges.
Now you have your triple porthole piece, you can turn it into a pretty cushion!
I spray basted wadding and calico behind the cushion front, hand ‘echo’ quilted the portholes, before adding some mini pompoms and an envelope back!
I hope you enjoyed my tutorial and have lots of fun giving portholes a go!
Ayumi’s brilliant tutorial is for the largest tray you see here. They are so easy to make and resize to suit your own requirements (keep the width the same, and simply shorten the length: L:13″, M:10.5″, Sml:7.5″).
The changes I made to the pattern were to use Flex Foam Bosal instead of wadding, to give more structure, and to sew a few stitches at the corners to help them retain their shape.
I’m sure like me you can think of a multitude of uses for these handy organisers (desk tidies perhaps?).
And keeping with the organising theme, how cute are these!
These are literally made from scraps – Tilda and leather scraps from other projects, and offcuts of Flex Foam Bosal.
The bosal was a little tricky to work with when it came to the smallest basket! But I think this will be the case with any interfacing stiff enough to give these little pots the structure they need. Just cut your interfacing smaller to try and keep whatever interfacing you use, out of the seams.
What an amazing year it has been, both inside the classroom and outside it!
One of my professional highlights in 2018 was attending Patchwork in the Peaks Quilters Retreat, Morzine, France, as guest tutor.
And on a personal level, hosting a memory quilt party for my special friend’s 50th birthday in February was a wonderful day!
Helping 2 charities, Shared Threads and Flourish, launch their new sewing initiatives, both aimed at improving the lives of women, locally and internationally was (and continues to be) a pleasure and a privilege.
Among the many highs and lows that come in a year, I’m reminded of my ‘word for the year’ back in January ’18 – RHYTHM.
I set a word at the start of each year to give me a focus to my professional and life goals.
After a massive year of change in 2017, I feel I definitely achieved some rhythm, allowing life to settle some, and to get into my stride with the new classroom and home.
Of course there were still changes in 2018, some happy, some sad, some expected, some unexecpted; the normalcy of life demands it.
But amidst it all, I have much to be thankful for and am content to leave 2018 with a smile, and embrace the exciting new chapter that is 2019.
Come back soon to find out all about my word for 2019!
What a wonderful term (& year!) it was! And I think, one of our most productive!
Here’s a little snapshot of some of the amazing makes my ladies have been beavering away at!
There are many more amazing projects and gifts that will be bringing smiles to lots of faces this Christmas.
Let’s just say there will some truly blessed recipients out there! My ladies are some of the most talented and generous people I know, and they have continued to inspire me all year!
For me, I plan to continue working on patterns, plans and projects for next year. But I will be taking a break over Christmas, to spend time with 2 of my girls, a little EPP, some reading and much needed rest!
Whatever you are planning over the next few weeks, I pray you will be happy and healthy!
Tweed is a favourite textile among many sewers, and mixed with pretty cottons and satin stitch applique, you have one gorgeous cushion!
(The pattern for Harriet Hare Cushion will be released after the workshop.)
At our Apron workshop in March there will be 2 styles to choose from – the Japanese style ‘Cross-over’ apron and my ‘Apron in Jar’, a practical and stylish apron which folds into a decorated mason jar for gifting.
The pattern for the Apron in a Jar includes a child’s size template and will be released after the workshop.
We wrap up our first term of ‘Sewing Saturdays’ with some folksy tea cosies.
Bring your teapot along to this workshop, and we will have fun appliqueing a ‘made to measure’ cosy for your pot.
I will be posting more information about each workshop nearer the time.
Places are limited, so book early (waiting lists available if fully booked). Just drop me an email at email@example.com
I’m so privileged to be surrounded by inspiring women! My mum, my Grandmothers, my brilliant besties, not to mention my 3 amazing daughters who I’m ridiculously proud of!
And then there are all the lovely ladies who come to my classes. I’m honoured to know some of their stories, struggles and triumphs!
Several weeks ago I had the most wonderful encounter with a lady I have long admired.
This is Rachel McBride, visual artist. I first met Rachel several years ago at the Kings Hall, and immediately fell in love with her art.
Fast forward to November 2018, and I’m visiting Rachel’s newest exhibition in Newtownards entitled ‘At a Loss for Words’.
Oh my! Once again she took my breath away. Rachel has an unbridled (and in my opinion unrivaled) talent for expressing depth of emotion through colour and texture.
5 years ago Rachel lost her speech for a short period of time and wrote these words:
“If someone cannot communicate and interact with others are they just ‘a being’ and at what point do they become invisible or unknown to society? A frightening and disturbing thought which ultimately forced me to consider my world without the ability to speak.”
Rachel was born with Cerebral Palsy and has had to overcome many hurdles in her life.
Every time I speak with her I’m overwhelmed by her positivity, strength and beauty.
Her pet hate is being seen as an inspiration, but it’s always the first adjective that comes to my mind when I read the extracts about each of her pieces, admiring the incredible vulnerability and vigor within each piece and knowing the limitations of her body which she fights against to live a fulfilling and boundless life.
I can whole-heartedly recommend you to Rachel’s (free) exhibition, which continues at Ards Arts Centre, Newtownards until the end of this month. And you can sometimes bump into her in the gorgeous coffee shop she owns with her husband called Haptik (the food is ‘out of this world’ awesome!).
And you can read a great write-up about her in the Irish Times here.
What amazingly creative talent we have here on our wee island!
It’s all about the festive makes at the moment at Just Jude Designs!
So I thought I’d bring you a fun and easy little Christmas tutorial to get you in the festive spirit!
For 1 Tree You will need:
2 x (5″ wide x 6″ tall) pieces of background fabric
2 x (5″ wide x 6″ tall) pieces of heavy weight sew-in vilene
2 x (4.5″ wide x 5.5″ tall) thin card
Green, red and gold/yellow threads
Thread to match background fabric
1″ x 2″ wide ribbon (trunk)
4″ length of narrow ribbon
Hand sewing needle
Non-permanent fabric marker
1 Cut the card into an isosceles triangle – draw a line from each bottom corner to the middle of the top edge. Cut away the sides.
2 Place the vilene behind the background fabric (I use a little basting spray here). On the vilene, I centred and drew around the card triangle as a guideline for stitching.
3 From the right side, draw 1″ lines across the background fabric using a non-permanent fabric pen.
4 Select a decorative stitch on your machine and sew along one of the lines.
5 Continue sewing decorative stitches along all the lines (for the lines near the top of the tree you only need to sew 0.5″ wider than the triangle marking).
6 Now sew decorative stitches in lines between the ones already sewn. Repeat steps 2-6 for the other background piece.
7 Cut out a generous 1/4″ wider than the triangle.
8 Pin the triangle card to the wrong side of one of the pieces. Using the English Paper Piecing (EPP) method, wrap the edges around the card and hand tack in place.
9 From the right side, machine stitch around the edges 1/8″ from the edge. At the bottom edge of the tree, catch the folded ‘trunk’ ribbon as you sew past. Remove the tacking stitches & leave in the card.
10 Hand tack a ribbon loop to the top of the tree (inside edge).
11 EPP & top stitch the remaining card triangle to the other stitched piece in the same way as before. Remove the tacking stitches & leave in the card.
12 Bring the 2 trees wrong sides together and whip stitch (by hand) the 2 trees together.
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Exactly 1 year ago today I signed the contract and got the keys to my classroom in this stunning converted Victorian Linen Mill in Belfast!
After teaching in various places for more than 10 years, it was lovely to step into a bright a spacious room, which I knew would meet all our classroom needs.
The room takes 12 students per class, and we also have 5 separate cutting tables and 4 ironing stations.
The ‘Basting Bay’ gives the ladies room to spray baste their quilts, and the design wall facilitates the laying out of blocks and quilt design.
The ‘Tea/coffee’ making station is an essential feature (no mini-bar yet!) and I even have room for a themed display table and a small haberdashery and pattern shop.
I teach 6 weekly classes and monthly Saturday workshops from September to June, with a slightly different programme over the summer months.
Since I started the classes in January ’18, we have had a total of 203 weekly classes, 11 Saturday workshops, 1 50th birthday party and several charity sewing days!
Phew! What a brilliant year!
And to celebrate my first birthday in Conway Mill, we not only have chocolates in class, I’m also discounting all my online patterns by 50%. Just use the coupon code BIRTHDAY1 at the checkout (one use only).
Thank you to everyone for making this new venture an exciting and fulfilling one! I can’t wait to see what 2019 brings!
I’m so proud of all my ladies, not just those who tackle the class project, but also those who work continuously on their generous gift making, charitable fund raisers, sharing inspiring new projects and continuing to fuel and feed their creativity.
And I get to call this my day job!! #lovemyjob
We are taking a one week break, and when we return it will be the last block of classes of 2018!
Tune in again soon to find out what our new class project will be.
Yesterday was my Chenille Workshop, and I’ve been beavering away this past week getting samples ready.
My ladies learned how to make a fluffy, tactile texture in their fabrics, and turn it into a snuggly cushion or a soft and useful bathmat.
We learned about how cutting across the bias can create a very different effect from cutting in line with the warp and weft (straight grain).
And how some fabrics will fray better than others, and where some will reveal little surprises after washing and drying (a frayed selvage will give a clue to secondary coloured threads).
The best way to chenille fabric is to cut across the bias, but that in no way limits the different effects you can achieve.
Check out some of these examples:
Applique Bias Strips:
You don’t need any special equipment for this technique. The clever peeps at Olfa have made the Chenille cutter, but you can get the same results from sharp scissors (recommended for smaller projects).
And if you don’t have a Chenille brush to help with the fluffing-up, just use a regular hairbrush (the washing and tumble drying are usually sufficient, but brushing the chenille can help with those fabrics that are a little more fray resistant!).
So huge well done to my ladies for a great day’s work sewing and chenilling (& chatting too!).
And if you haven’t tried chenilling yet, why not give it a whirl! You’ll be pleasantly surprised!
Waaaaaaaay back, in February, I facilitated a very good friend’s special birthday request!
16 friends squished into my classroom, each of them charged with making a patchwork block about their dear friend.
Shirley has been a nurse, midwife, missionary and lecturer. She is one of the most generous, caring and just people I know and I feel truly privileged and blessed to call her ‘friend’ these past 21 years.
It took a wee while for a few postal blocks to come in, and then I set to work, finishing up the sketching details and chosen texts, as well as assembling and quilting the quilt.
And then the final handover happened last week (took a while to get us both in the same country at the same time!).
I’ve made a little mosaic of the individual blocks so you can see more of the details (I promise they aren’t as curvy as they seem here – I took pictures of them while the quilt was on the line! It was windy!)
There is so much thought, love and creativity in all of these blocks, a moving tribute to our funny, coffee loving, brilliant friend!
Even though I had already gifted Shirley a quilt for her birthday back in February (read more about this quilt and the sew-in here), I wanted to contribute a block to her Friendship Quilt.
And here it is….
That’s Shirley in the middle (portraits were never my strong suit!) between me on the left (I told you portraits weren’t my strong suit!) and Rosie (amazingly this actually looks like Rosie!). We first met 21 years ago at Bible College, and are the self named ‘Breakfast Club’ (we still meet once a month for breakfast, coffee and catch-up!).
I hope you’ve enjoyed reading about this very special quilt and its very special recipient!
My 5 minute demo in class this month was how to make these super easy infinity scarfs.
You can use anything between 1 and 4 pieces of fabric for your scarf.
The sumptuous softness of Art Gallery fabrics or Liberty Lawns work particularly well, but you can also use quilting cotton, or for a more cosy scarf, try brushed cotton or snuggly fleece.
Would you like to know how to make them? My tutorial shows you how to make a scarf from 4 fabrics.
You will need:
Scarf made from 1 fabric: 1 x (20″ x 60″) or
Scarf made from 2 fabrics: 2 x (10.5″ x 60″) or
Scarf made from 3 fabrics: 2 x (10.5″ x 30″) & 1 x (10.5″ x 60″) or
Scarf made from 4 fabrics: 4 x (10.5″ x 30″)
3 metres mini pom pom trim (optional)
Adjustable zipper foot
Use 1/4″ seam allowance
1 Sew 2 panels right sides together along the short edges. Press the seam open. Repeat for the other 2 panels.
2 On the right side of one of the pairs, pin and machine tack 2 x 60″ lengths of mini pom pom trim down both long sides. The pom poms should be facing away from the outer edges. I used my zipper foot for this part so I could sew past the pom poms.
3 Place both paired panels right sides together and sew down both long sides. Again, I used my zipper foot here.
4 Turn the scarf right side out.
5 Iron under the raw edges of one short end by 1/4″.
6 Take the other short end and twist the scarf once before tucking it into the ironed under short end.
7 Even out the short ends, pin and sew them together, 1/8″ from the folded edge. You are only sewing through the 2 short ends here.
And there you have it! A beautifully soft infinity scarf.
You can of course lengthen and widen the measurements here to suit your needs or style!
Have fun making these versatile and practical scarves. But be warned!
I promised to check in again and tell you about my makes at Patchwork in the Peaks (though they pale into insignificance compared to the fabulous makes of my fellow sewers).
Not fully understanding the brief of the weekend, I arrived with no personal projects to work on! Doh!
However, Elita has a very healthy ‘scraps stack’ which she generously makes available to all at Peaks.
So with that in mind, I rustled up a sizeable ‘Quilt As You Go’ pouch.
I always find that other people’s scraps are much more interesting than my own, so it was fun rustling through the scrap boxes for this project.
One of the ‘games’ we played at the weekend was a ‘Roll the Dice Fat Quarter swap’.
It’s much too long winded for me to try and explain how it works, but the essence of the game is that you bring 3 fat quarters to the table and after much hilarity, competitive threats (of the lighthearted kind of course!!) and fast hand action, you end up with 3 different fat quarters!
One such fat quarter is the glorious yellow that I used for the lining of my pouch!
Aaaahhhhh! Sunshine in a pouch!
Following my Denim Applique Bag workshop, there was a nice little pile of offcuts and discarded denim bits.
So in keeping with the denim/upcycling theme, I made another zippy pouch (a girl can never have too many pouches, right?!).
A little ‘Aurifil’ decorative stitching and feature tabs, loops and labels add the perfect finishing touches.
Another of my ‘fat quarter swaps’ made it as the perfect pouch lining!
On Saturday evening we shared our ‘Secret Sister’ gifts (surprise, anonymous gifts left for each person throughout the weekend) and then Gina presented the ‘Mystery Make’.
This is a fun, quick make in keeping with the theme of the weekend. Several little jeans legs were made available with a finished sample of the cutest wee fabric bucket! So we set to it and in no time at all, a family of re-purposed fabric buckets appeared! (see pics in previous post)
Despite the flowers being upside down (!!) I’m going to use mine as a purposeful little thread catcher.
And last but not least, another rummage in the scraps box and my heart started to flutter as I discovered some adorable vintage vibe browns!
Now I appreciate brown is not a universally loved fabric colour, and there are some browns I just can’t do.
But on my bucket list of makes is a vintage brown quilt (I have a secret hoard of brown vintage fabrics in my loft!). So I grasped the nettle and started making log cabin blocks, with no other plan in mind than to enjoy the browns and worry about a design much later!
So considering I arrived at Peaks with no fabric or sewing equipment, I did pretty well don’t you think?
Just checking in to tell you about some exciting new workshops coming up this term.
Saturday 8th September: Rope Bowls II
(fully booked – waiting list available)
My first Rope Bowls workshop booked up in double quick time, so I set a 2nd date! (you can read all about the first workshop here.)
15th September: Free Motion Quilting/Sketching
(fully booked – waiting list available)
Yesterday was the first of 2 FMQ workshops.
My ladies worked hard at 6 different FMQ designs, fillers, small and large samples, and tried their hand at a little sketching too! (I bet they all slept well last night!).
This is my most requested workshop, and as it booked up in 2 days(!!) it was only fair I put on a 2nd date!
Don’t worry if you haven’t managed to get onto one of these workshops. I’ll be running this one again next year.
13th October: Chenille (Bath Mat or Cushion)
In quilting, the term ‘Chenille’ refers to a texture achieved through sewing and cutting through several layers of fabric. When washed and dried, the raw edges of the cuts ‘fluff up’ creating a wonderfully tactile texture. This new ‘fabric’ can then be turned into a wide range of items.
In this workshop you can choose to make a fluffy bath mat, or a snuggly cushion.
17th November: Scandi Christmas Stocking
Getting ready for Christmas and Christmas gift-making is always popular among quilters.
My Scandi Christmas Stocking incorporates a little fun applique and it is fully lined, so it will stand the test of time year after year!
I’m now stocking the latest collection of Makower Red Scandi Christmas prints in my classroom, as well as my usual stocks of Essex Yarn Dyed Linen, and I’m hoping to have kits available for the workshop.
8th December: Gingerbread Men Garland
How cute would these decorated felt Gingerbread Men look adorning your Christmas themed fireplace!
This workshop will combined some relaxing hand sewing and embellishing with a little machine work.
A great gift for gingerbread men lovers everywhere!
So there you have it! A round-up of fun ways to spend a Saturday!
If you see anything here you fancy, just drop me an email at firstname.lastname@example.org
It’s about time I posted another tutorial here, don’t you think?
Before all the sniffles and colds get going, how about pretty, quilted tissue box covers. I’d much rather see pretty fabric sitting in my room, than a functional cardboard box!
And this tutorial will explain how to cover a box of any size, so let’s get started!
You Will Need:
Heavy Sew-In Vilene
Non-permanent fabric marker
Cardboard or template plastic
Measure your box:
Take measurements A (short side), B (long side) and C (top). Then add 3/4″ (0.75″) to each measurement (1/2″ for seam allowances, 1/4″ for ease) to get the cutting out sizes.
You can see my measurements in the example below:
So now that you have the cutting out measurements you can either ….
apply all measurements to your exterior fabrics, lining fabric, wadding and heavy sew-in vilene
instead of cutting out the sides, cut and baste an 11″ x 12″ piece of exterior fabric, wadding and sew-in vilene. Once quilted, this is big enough to cut out all 4 sides.
You will also need this template for the openings. I use the larger shape for rectangular boxes and the smaller shape for cube boxes. Cut out the openings and transfer them to card or template plastic.
Use 1/4″ seams
1 If you haven’t already done so, spray baste the exterior fabrics, wadding and vilene together.
2 Quilt as desired (I marked and quilted a 1.5″ diagonal grid, see photo above).
3 Pin an exterior short side (A) right sides together with the exterior top (C). With a pen, mark 1/4″ in from each corner on the short side (wrong side).
4 Sew from marker to marker, starting and finishing with a reverse stitch. Repeat for the other short side.
5 Press the short ends out before attaching the long sides in the same way (remember to mark your 1/4″ points).
6 Repeat steps 3-5 for the lining pieces.
7 Find the middle of the lining top piece (I simply folded it in half lengthways and widthways and finger pressed).
8 Centre your chosen template opening onto the wrong side of the lining top piece and draw around it.
9 Pin the exterior and lining pieces right sides together. Sew along the drawn line, starting and finishing with a reverse stitch.
10 Carefully cut out the opening, leaving a 1/4″ seam allowance. Snip at 1cm intervals all the way around the opening, taking care not to cut into the stitches.
11 Push the lining through the opening and all the way round to the back of the exterior. Iron around the opening to neaten.
12 Top stitch around the opening, 1/8″ from the edge.
13 Pin the exterior sides right sides together. Sew adjacent exterior sides together, sewing from the top down to the 1/4″ marker (fold the top piece out of the way so you can get right down to the 1/4″ marker). Start and finish with a reverse stitch.
14 Repeat step 13 for the lining pieces.
15 Turn the exterior right side out, by folding it out over the lining. On the inside you should be able to see the right side of the lining.
16 Push the lining well into the corners of the exterior cover. Pop in the tissue box and trim off any excess cover and lining level with the edge of the box.
17 Machine tack (large stitch) around the raw edges 1/8″ from the edge.
18 Make enough double fold quilt binding to get around the bottom edges with a couple of inches overlap. Attach, join and finish the binding as you would for a quilt.
Pop in the tissue box and adorn your bedside table!
Or how about a scrappy tissue box cover ….
…. or have some free motion sketching fun!
Whatever shape or design you choose for your cover, have lots of fun!
A good friend of mine recently celebrated a milestone birthday.
Now this friend is uber creative and talented, especially when it comes to ceramics.
Rachel has a workshop in Conway Mill, just 2 floors above me, and makes the most stunning ceramic house pictures and brooches #weecolouredhouses
I’m lucky to be the proud owner of 2 such creations!
So from one maker to another, I knew my gift had to be handmade!
My ‘Wee Coloured Houses’ pouch is inspired by Rachel’s adorable little houses. They have been free motion sketched onto Essex Yarn Dyed Linen (Flax). Those tiny windows were a challenge!!
I know Rachel loves colour, so I went with a patchworked back and a bright, funky lining.
So here’s to many more creative years Rachel!
And if you would like to purchase one of Rachel’s pictures or commission her for a custom order, you can contact her here.
Also, keep an eye out for her at Frock Around the Clock Fares and the Fine & Dandy Markets, as well as seeing her stock in The Designerie (Bushmills), Belfast City Airport, The Crafty Barn (Carlingford) and Klover (Hillsborough) to name a few!
It’s hard to believe that the summer is almost through, and attention is quickly turning to the new term of classes starting in September.
This term our (optional) class project will be Twin Needling with Fusible Bias (incorporating Stained Glass Windows).
As you can see above, there are a range of makes to choose from. Let’s look at them:
Mosaic Cushion (Beginner Friendly):
This 18″ cushion is a great starter project if you are new to fusible bias and twin needling.
Simple piecing creates the mosaic background, with the twin needled bias creating a dramatic (and quilted) finish!
I’ve made a feature of the zipper closure in the back of the cushion, but you could easily have an envelope or button closure here.
The digital pattern is available here (hard copies are available to purchase in class).
Mackintosh Flower Cushion (Intermediate):
This is another 18″ cushion, this time inspired by Charles Renee Mackintosh’s iconic design.
Shapes are bondawebbed onto background fabric, and the fusible bias then curved and twin needled down.
Again I’ve made a feature of the cushion back.
The digital Mackintosh Flower Cushion Pattern is available here (hard copies and full size templates are available to purchase in classs).
Applique Leaf Denim Bag (Advanced):
This project not only incorporates twin-needling (stems) and satin stitch applique (leaves), but also re-purposing textiles, zippered pocket and handbag construction.
The digital Applique Leaf Denim Bag Pattern is available here (hard copies and full size templates are available to purchase in class).
Mackintosh Rose Wallhanging (Advanced):
If you love wallhangings and aren’t afraid of something a little more challenging, you could try your hand at this Mackintosh inspired ‘Stained Glass Window’.
I’m in the progress of making up this wallhanging in a different colourway, and hope to show you the finished wallhanging soon! The finished size will be approx. 14″ x 21″ and full size templates will be available to purchase in class.
Each pattern lists the materials you will need.
However, I will have the following available to purchase in class:
black 6mm fusible bias
4mm twin needles
pattern transfer pens
hinged faux leather handbag handles
full size templates
So I hope you are inspired to perhaps try something different this term. You will have 7 weeks to make one of these projects, or a project of your own choosing!
And there are still a few spaces left across all the classes (more info here), so why not join us for some creative fun!
We’ve had wonderful weather this summer, so I shouldn’t be sad to see the rain! After all, the gardens are crying out for it!
As well as working on some non-work related sewing commitments, I’ve been beavering away on some new patterns for upcoming classes and workshops (more on this very soon!).
But I’ve also managed to snatch a few ‘dressmaking’ moments here and there!
I once remember my dearly passed friend, Heather, telling me about when she used to make her own trousers. After her first successful pair, she made lots more from the same pattern, but just in different colours!
So as a novice dressmaker, I am unashamedly going to follow my friend’s canny philosophy!
Last summer I made this tunic from a charity shop find of Liberty cotton. The pattern is beginner friendly (New Look pattern 6068) and I love the shape and fit of it.
So I cut out 2 more, in vintage fabrics that I’ve collected over the years!
No. 1 The ‘A Little Touch of Granny’ Tunic:
I can’t remember who or where this exotic themed fabric came from, but I didn’t have enough width in the main fabric for a complete front. So I improvised and added in a coordinating navy panel.
Also I wanted a slightly longer length than the original pattern, so I added a mock under-skirt in a contrasting fabric (I call this my granny fabric!).
I’m sure you will think I’m bonkers (!!) but I love my cobbled together tunic!
I have long been trying to set my inner granny/hippy free, and I think I’ve taken another step closer to embracing a very individual and creative style!
And for tunic no.2?
Tune in next time for another ‘eyebrow raising’ post!
I’m back from a little holiday over on English soil, enjoying the amazing Cumbrian countryside with my #sewingbesties …..
….. and visiting family and friends in my old Dorset stomping ground.
The weather was hot, hot, hot! What a cracking summer break.
And I’ll be jet-setting off again in September, as the guest tutor of Patchwork in the Peaks in Morzine, France.
Patchwork in the Peaks is an Alpine Quilt Retreat, hosted twice a year by Busy Needle Quilting.
The retreat is held over 4 days, in a 4 storey chalet with the most spectacular views!
You get to take part in workshops, tutorials and have some free time to relax, explore Morzine, or fit in more sewing! There’s even an ‘in chalet’ quilting shop and you can avail of the Juki long arm quilting machine (tuition provided).
Doesn’t that sound wonderful! You can read lots more about this quilters heaven here and here.
I’ll be teaching my Applique Denim Bag, showcasing techniques such as twin needling fusible bias, satin stitch applique, re-purposing textiles and a zippered pocket (to name a few).
So if you fancy a creative and relaxing retreat surrounded by inspiring scenery, why not come to Patchwork in the Peaks (only a few places remaining)!
This is my Autumn Rail Fence Quilt (as featured in August ’17 issue of Pretty Patches magazine).
If, like me, you have a healthy supply of scraps, then this is a great scrap buster project for you!
In August I am hosting a Scrap Buster Saturday, and this is one of the many quick and easy ideas folks can use to dig in to those overflowing scrap boxes!
Here’s how to make the Scrappy Rail Fence Block (12.5″ unfinished):
1 You will need a variety of scrappy strips, at least 13″ long and of varying widths (don’t go wider than 3″). Press them and make sure they have straight parallel sides. Don’t worry about trimming the lengths, you get a more accurate block if you leave the trimming to the end.
2 I went for a ‘late summer’ colour theme of teals, oranges, pinks and golds. But you could easily use whatever colours you have for a more ‘random’ rail fence.
3 You will notice I have included a brown striped fabric at the edge of each block. These strips are cut 2″ wide and give a little uniformity to the scrappiness of the blocks. If you are going for random and bright colours, try a narrow black and white stripe here.
4 If you are working to a colour theme, try to get an even number of colours per block. The order doesn’t matter, just sew enough together using a 1/4″ seam, not forgetting the stripey fabric on the end, until you can get at least 12.5″ wide. Set the seams (pressing the seam as you have sewn it) before pressing the seams to the darkest fabric.
5 Trim the block to 12.5″ square. If there is excess on the width make sure you don’t take any off the stripey/end fabric. You want these end strips to be of uniform width. I used my 12.5″ square ruler for easy trimming, but you can trim these blocks to any size, just make sure they are square!
6 Make lots more blocks until you have enough for your quilt (or until you have used up all your scraps!).
These beautiful ‘Butterfly Garden’ quilts are stunning on every level (my poor photos not doing them justice at all!).
I love how different fabrics or placement of colour value can completely change the look of the same quilt. In this pattern, drunkard’s path units are combined with squares to make up these curvy blocks.
Aren’t they wonderful! A huge well done to my ladies for ‘going large’ with their curvy project (especially as temperatures soared inside and out!).
If you like what you see here and want to have a go at your own ‘layer cake friendly’ Butterfly Garden quilt, you can get the pattern here.
I won’t have any classes in July, but you can find out all about my summer programme of classes and workshops here.